Nigerian pastor Femi Lazarus has stirred debate in the gospel music industry by challenging the financial expectations of gospel ministers. In a sermon aired on YouTube, Lazarus asserted that music ministry is a divine calling and should not be commercialized.
Ministry vs. Business
Lazarus argued that those charging fees for performances are not music ministers but artists engaged in business. He emphasized that true gospel ministers should be rooted in a church and not demand payments for ministration.
“A music minister expresses ministry through music. A music artist is not a kingdom-based minister, hence is not for the church,” he stated. “Any music minister you can’t trace to a church where they learn doctrine is an artist.”
Financial Sustainability
To address concerns about income, Lazarus advised gospel musicians to seek alternative revenue streams unless divinely called into full-time ministry. “If God did not say follow me full-time, plan your life,” he cautioned, encouraging them to start businesses, pursue education, or establish music academies.
He acknowledged that some churches may offer salaries to ministers for commitment but insisted that ministry should not become transactional.
Lazarus cited Nathaniel Bassey and Bukola Bekes as examples of true gospel ministers who serve faithfully within their churches. His remarks sparked mixed reactions, with some supporting his stance and others, including singer Timi Dakolo, criticizing his view on financial expectations.
This controversy has reignited discussions about balancing ministry and financial sustainability in gospel music. Whether Lazarus’ position will influence the industry remains uncertain, but the debate continues to shape the Nigerian gospel music landscape.
